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Leonardo da Vinci
Leonardo da Vinci
cs.wikipedia.org
Leonardo da Vinci Artist Francesco Melzi
Leonardo da Vinci Artist Francesco Melzi
art-leonardo.com
Artists Leonardo da Vinci and Francesco Melzi (joint work)
Artists Leonardo da Vinci and Francesco Melzi (joint work)
art-leonardo.com
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
metmuseum.org
Leonardo Da Vinci's Self Portrait
Leonardo Da Vinci's Self Portrait
allthatsinteresting.com
Francesco Melzi, Ritratto di Leonardo da Vinci (1510 circa; sanguigna su carta, 275 x 190 mm; Windsor, Royal Collection)
Francesco Melzi, Ritratto di Leonardo da Vinci (1510 circa; sanguigna su carta, 275 x 190 mm; Windsor, Royal Collection)
finestresullarte.info
Kopie Leonardo da Vinci - Dama s hranostajem
Kopie Leonardo da Vinci - Dama s hranostajem
profiportret.cz
Hudebník (da Vinci) – Wikipedie
Hudebník (da Vinci) – Wikipedie
cs.wikipedia.org
The Mona Lisa
The Mona Lisa
metro.co.uk
Léonard de Vinci self-portrait
Léonard de Vinci self-portrait
commons.wikimedia.org
Ukryl Leonardo da Vinci ve svém obrazu tajemství? FOTO: Francesco Melzi / Creative Commons / volné dílo
Ukryl Leonardo da Vinci ve svém obrazu tajemství? FOTO: Francesco Melzi / Creative Commons / volné dílo
enigmaplus.cz
December 2019 - CORRIDORS│An Educational Website in the Arts and History. Featuring My Photography and Videos.
December 2019 - CORRIDORS│An Educational Website in the Arts and History. Featuring My Photography and Videos.
johnpwalshblog.com
Leonardo da Vinci - Wikipédi
Leonardo da Vinci - Wikipédi
bew.wikipedia.org
UNSPECIFIED - CIRCA 1754: Mona Lisa' also called 'La Gioconda' or 'La Joconde', c1503-1506. Oil on wood. Leonardo da Vinci (1452-1519). Portrait of Lisa Gheradini, the wife of Francesco del Gioconda a Florentine silk merchant. (Photo by Universal History Archive/Getty Images)
UNSPECIFIED - CIRCA 1754: Mona Lisa' also called 'La Gioconda' or 'La Joconde', c1503-1506. Oil on wood. Leonardo da Vinci (1452-1519). Portrait of Lisa Gheradini, the wife of Francesco del Gioconda a Florentine silk merchant. (Photo by Universal History Archive/Getty Images)
metro.co.uk
1962
1962
pinkerton.com
This portrait of Leonardo is attributed to Francesco Melzi, circa 1515.
This portrait of Leonardo is attributed to Francesco Melzi, circa 1515.
nationalgeographic.com
10 fascinujících faktů o neuvěřitelném životě Leonarda da Vinciho
10 fascinujících faktů o neuvěřitelném životě Leonarda da Vinciho
lilinguas.com
Leonardo da Vinci (1452-1519); probably acquired by Charles II c.1690;
Leonardo da Vinci (1452-1519); probably acquired by Charles II c.1690;
geo.de
Salvator-Mundi-Corre-SW
Salvator-Mundi-Corre-SW
kunst-gutachter.de
Berühmte Linkshänder Künstler - Leonardo Da Vinci
Berühmte Linkshänder Künstler - Leonardo Da Vinci
einfachmitlinks.de
Salaì – Wikipedie
Salaì – Wikipedie
cs.wikipedia.org
Johannes Kepler’s pursuit of harmony
Johannes Kepler’s pursuit of harmony
pubs.aip.org
VR1-1 Leonardo da Vinci - La Belle Ferronniere
VR1-1 Leonardo da Vinci - La Belle Ferronniere660 Kč
obrazy-nabytek.cz
It seems highly probable that the objects item- ized are almost all drawings, even when they are not explicitly indicated as such, although we cannot rule out that at least some may have been small clay sculptures. However, we find at least ‘a representation of the Passion, made in relief’ (una storia di Passione fatta in forma), thus probably a serial work. Other things in the list might also be at least indirectly linked to sculp- ture. It seems to me not implausible that the ‘head of Our Lady ascending to Heaven’ (la testa di nostra donna che va in cielo) may be a draw- ing made from the Porta della Mandorla on the north side of Santa Maria del Fiore in Florence, a work that Leonardo certainly copied. The head of the young man traced in pen on sheet 446 E in the Gabinetto Disegni e Stampe degli Uffizi, Florence, evokes the analogous detail of one of the angels supporting the mandorla by Nanni di Bianco. Considering that the sheet also includes an incipit of a letter addressed to Pistoia and the note ‘[...ber] 1478 | began the two Madonna ' ([...bre] 1478 incominciai le 2 vergini Marie), Leonardo prepared this drawing just at the time in which Verrocchio too, then working on the Forteguerri Cenotaph for the Cathedral in It seems highly probable that the objects item-
It seems highly probable that the objects item- ized are almost all drawings, even when they are not explicitly indicated as such, although we cannot rule out that at least some may have been small clay sculptures. However, we find at least ‘a representation of the Passion, made in relief’ (una storia di Passione fatta in forma), thus probably a serial work. Other things in the list might also be at least indirectly linked to sculp- ture. It seems to me not implausible that the ‘head of Our Lady ascending to Heaven’ (la testa di nostra donna che va in cielo) may be a draw- ing made from the Porta della Mandorla on the north side of Santa Maria del Fiore in Florence, a work that Leonardo certainly copied. The head of the young man traced in pen on sheet 446 E in the Gabinetto Disegni e Stampe degli Uffizi, Florence, evokes the analogous detail of one of the angels supporting the mandorla by Nanni di Bianco. Considering that the sheet also includes an incipit of a letter addressed to Pistoia and the note ‘[...ber] 1478 | began the two Madonna ' ([...bre] 1478 incominciai le 2 vergini Marie), Leonardo prepared this drawing just at the time in which Verrocchio too, then working on the Forteguerri Cenotaph for the Cathedral in It seems highly probable that the objects item-
academia.edu
Fig. 7. Leonardo da Vinci, Heads of an Old Man (‘The Nutcracker’) and of a Youth, c. 1495-1500. Red chalk, 21 x 15 cm. Gabinetto dei Disegni e delle Stampe, Galleria degli Uffizi, Florence, 423E.
Fig. 7. Leonardo da Vinci, Heads of an Old Man (‘The Nutcracker’) and of a Youth, c. 1495-1500. Red chalk, 21 x 15 cm. Gabinetto dei Disegni e delle Stampe, Galleria degli Uffizi, Florence, 423E.
independent.academia.edu
Obrazová reprodukce Salvator Mundi (1500)
Obrazová reprodukce Salvator Mundi (1500)
posters.cz
Leonardo da Vinci (1452-1519); probably acquired by Charles II c.1690;
Leonardo da Vinci (1452-1519); probably acquired by Charles II c.1690;
geo.de
The Da Vinci Bloodline: Living Descendants Provide Clues to the Genius’s Genetic Secrets
The Da Vinci Bloodline: Living Descendants Provide Clues to the Genius’s Genetic Secrets
scitechdaily.com
Mona Lisa – kolik tajemství ještě skrývá? - Zapni mozek
Mona Lisa – kolik tajemství ještě skrývá? - Zapni mozek
zapnimozek.cz
Blog - culturescope
Blog - culturescope
culturescope.net
da Vinci - ePuzzle foto puzzle
da Vinci - ePuzzle foto puzzle
epuzzle.info
Leonardo Da Vinci
Leonardo Da Vinci
allthatsinteresting.com
Mona Lisa (La Gioconda) (1505) © Leonardo da Vinci
Mona Lisa (La Gioconda) (1505) © Leonardo da Vinci
moodbook.com
an old man with a long beard wearing a black hat
an old man with a long beard wearing a black hat
cz.pinterest.com
vermutliches Porträt Leonardo da Vincis, Francesco Melzi
vermutliches Porträt Leonardo da Vincis, Francesco Melzi
nicofranz.art
#VtentoDeň: 1452-04-15 - HistoryLab
#VtentoDeň: 1452-04-15 - HistoryLab
historylab.dennikn.sk
Pavel Brázda
Pavel Brázda
pavelbrazda.cz
Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso), Francesco di Simone Ferrucci Italian, Pen and brown ink, over leadpoint or black chalk, on rose-washed paper
Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso), Francesco di Simone Ferrucci Italian, Pen and brown ink, over leadpoint or black chalk, on rose-washed paper
metmuseum.org
Leonardo da Vinci, Mona Lisa, 1503–1519
Leonardo da Vinci, Mona Lisa, 1503–1519
artnews.com
Nevertheless, we can be fairly sure that the materials most used by Leonardo were terra- cotta and wax, with three possible functions: as models for the studio or for didactic purposes; as works finished in themselves; or as works des- tined to be cast in bronze. In the third case, one immediately thinks of the ill-fated affair of the Sforza Monument, as well as of the monument never realized for Gian Giacomo Trivulzio. For the latter, Leonardo also drew up a quite detailed budget in about 1508. He even envisaged using marble, although it cannot be ruled out that he might have planned to avail himself of a special- ist, perhaps his old friend Benedetto Briosco or the young and enthusiastic follower Agostino Busti (called Bambaia).5 In the case of the first two possible functions, we are amply informed by Leonardo himself or by sources very close to him. ‘Have one made of wax a finger long’ (fanne un Nevertheless, we can be fairly sure that the
Nevertheless, we can be fairly sure that the materials most used by Leonardo were terra- cotta and wax, with three possible functions: as models for the studio or for didactic purposes; as works finished in themselves; or as works des- tined to be cast in bronze. In the third case, one immediately thinks of the ill-fated affair of the Sforza Monument, as well as of the monument never realized for Gian Giacomo Trivulzio. For the latter, Leonardo also drew up a quite detailed budget in about 1508. He even envisaged using marble, although it cannot be ruled out that he might have planned to avail himself of a special- ist, perhaps his old friend Benedetto Briosco or the young and enthusiastic follower Agostino Busti (called Bambaia).5 In the case of the first two possible functions, we are amply informed by Leonardo himself or by sources very close to him. ‘Have one made of wax a finger long’ (fanne un Nevertheless, we can be fairly sure that the
academia.edu
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