The play is known for its minimal aesthetic, resembling a ritual rather than a traditional play[2]. Mirza Metin, co-founder of Şermola Performance, has been actively involved in Kurdish theatre, exploring themes like self-being through…
Disco No.5 has been performed by Mirza Metin from Destar Theatre about the torture of Kurdish political prisoners in Diyarbakır Military Prison after military coup in Turkey (1980).