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Kõne taevast (2022) - IMDb
Kõne taevast: Directed by Kim Ki-duk. With Zhanel Sergazina, Abylai Maratov, Seydulla Moldakhanov, Aygerim Akkanat. A woman meets a handsome man in the street. However, a strange call warns her that it all was only a dream.
22nd New York Asian Film Festival - Wikipedia
The lineup included eight world premieres, nine international premieres, thirty-two North American premieres, three U.S. premieres, and sixteen East Coast/New York premieres. [1 ] Films from various genres from Hong Kong, Japan, China…
Nomad 2025 Film Festival
Born at the University of Central Asia in Naryn, a mountain town in Kyrgyzstan, the Nomad Festival attempts to bridge the gap between a longstanding agrarian and pastoral lifestyle rooted in ancient nomadic traditions in the region and the…
27th Busan International Film Festival - Wikipedia
This year, the festival restarted events and program sections which were not conducted due to Covid-19 for last 2 years. [1 ] [2 ] The festival opened with Iranian film Scent of the Wind by director Seyed Hadi Mohaghegh, Jeon Yeo-been with…
Nomad 2024: The Infinite Sky
Nomad 2024 is an invitation to creatives and scholars from Central Asia and beyond to engage with the changing and challenged understandings of the sky and its cosmic evolution during a five-day celebration of creativity and enquiry at the…
New York Asian Film Festival Announces Second Wave of 2023…
THE NEW YORK Asian FILM Foundation AND FILM AT Lincoln Center Unveil THE Uncaged Competition Lineup, MORE Award Honorees, Centerpiece AND Special Guests FOR 22ND Edition OF THE NEW YORK Asian FILM Festival
Program 2021 — NUFF
In recent years, she has been mentoring others by sharing her experience. She is affectionate, kind and heroic mother at the same time.
Under Another’s Will — Talking Shorts
Based on the real-life story of one of the filmmaker’s friends, Burul sheds a light on the brutal practice of bride kidnapping and amplifies the voices of oppressed Kyrgyz girls.
KinoKultura
He has been working on Lake Kara-Suu since 2016. Against the background of a carpet on the wall, Nurzhigit is dressed in simple and warm clothing, his cheeks reddened from the cold, his lips chapped.
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