The symposium "Networks of the Black Atlantic" addresses the urgent need to decolonize institutions and build a more inclusive cultural sector.
Restitution of cultural heritageThe restitution of cultural heritage is a central issue in contemporary debates. The report commissioned by France in 2018 by Felwine Sarr and Bénédicte Savoy has triggered a critical reflection on the need for the restitution of African heritage, both in moral and material terms. Although France has made symbolic progress, Canada and Germany still have some challenges to overcome to translate their intentions into action. We want to stimulate a broad debate on cultural restitution and reparations while exploring their impact on Afro-descendant and African communities.Co-construction of knowledgeBy promoting exchange between generations, disciplines and cultures and combining academic approaches with traditional knowledge, we aim to renew the current theoretical and practical discourse frameworks on these topics and. The restitution of cultural heritage as a dynamic process requires collective thinking and the production of new knowledge. It will also be a matter of juxtaposing German, French and Quebec perspectives to advance the discussion on these challenges.Building solidarity networksOur project aims to strengthen solidarity networks between communities in the Global South, Europe and North America. The aim of this international and intercultural networking is to support social justice initiatives that aim to reduce systemic inequalities and promote the emancipation of Afro-descendant communities. This intercultural exchange will create a framework in which artistic and intellectual practices come together to support concrete action.
La grande collection montréalaise s’offre à vous! Explorez la collection grâce aux outils de recherche et aux parcours. Plus de 1000 œuvres sont à découvrir.
Montréal’s extensive public art collection is now yours to discover! Explore the more than 1000 works of art in the collection with easy-to-use search tools and suggested itineraries.
Gathering visual material from scientific, literary, and historical sources, Diallo applied a diasporic and cross-cultural approach as she constructed various folkloric motifs and archetypes.
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