In 1975, Aghdashloo held his first individual exhibition at Iran-America Society in Tehran. The exhibited paintings were mostly about floating things, dolls and some works about the Renaissance.
The #MeToo movement has hit a nerve among Iran’s women. Now accusations against a politically connected celebrity artist are testing the movement in a sexually conservative society dominated by men.
In Iran, an exhibit of Aydin Aghdashloo’s work was canceled and a prominent auction is considering dropping him. In Canada, a petition calls for an art festival to cut ties with him.
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Aghdashloo se narodila 11. května 1952 v Teheránu jako Shohreh Vaziri-Tabar (Aghdashloo je příjmení prvního manžela, íránského malíře Aydin Aghdashloo).
Text Here Text Here Najmeh Mahani translates into English for the first time this conversation between Iranian filmmaker Abbas Kiarostami and Iranian painter, writer and film critic Aydin Aghdashloo
From the visionary storytelling of Aydin Aghdashloo and Ali-Akbar Sadeghi and the expressive brushstrokes of Manouchehr Yektai, to the intricate geometric compositions of Monir Farmanfarmaian and the poetic abstraction of Sirak Melkonian…